Newcomer Rose Glass delivers Saint Maud, a terrifying psychological horror anchored by a captivating performance from Morfydd Clark.
MORE LAUREN COATES - Page 5 of 12
Barb and Star Go To Vista Del Mar is a bizarre genre-bending acid trip of action, musical, and buddy comedy, and a cult classic in the making.
With the Sundance Film Festival's first digital incarnation officially over, we're rounding up our favorite flicks from the fest in this two-part round-up.
Though bolstered by a formidable cast and strong source material, pacing and character issues plague Judas and the Black Messiah
Stanley Tucci and Colin Firth's joint dazzling performances are the anchors for Supernova, a quiet, touching drama about the pain of losing a loved one.
Malcolm & Marie has the makings of a sharp, bitter relationship drama, but is bogged down by its constant attempts to be self-aware and prove its own wit
Flee blends stunning animation with archival footage to craft a harrowing, deeply personal tale about an Afghan refugee forced to conceal his dark past.
Though filled to the brim with celebrity cameos and quippy caricatures of LA's strangest inhabitants, How it Ends falls flat as both a comedy and a drama
A quartet of near-flawless performances combined with a razor-sharp script make One Night in Miami a stunning portrait of four American icons.
The American Gods season 3 premiere is full of enough potential to leave us excited for the upcoming season - even if a few key players are missing.
Needlesly long, woefully uninteresting,and led by a bizarrely apathetic protagonist, Wonder Woman 1984 is yet another DC misstep.
Despite an impressive ensemble cast and Pixar's most ambitious concept yet, Soul ends up one of the studio's more middling entries.
Mads Mikkelsen leads a quarter of mild-mannered schoolteachers who embark on a quest to become perpetaully drunk in Thomas Vinterberg's Another Round.
Carey Mulligan's brutal performance as modern femme fatale "Cassie" is the glue that binds the ambitious but uneven Promising Young Woman together.
The Midnight Sky aims to tell an ambitious, double-barreled interplanetary narrative, but ends up a poorly paced jumble of unremarkable characters.
Chloé Zhao's Nomadland is a truthful, harrowing, and ultimately beautiful exploration of loneliness and identity, anchored by Frances McDormand.
Gary Oldman and Amanda Seyfried shine in David Fincher's Mank, a chronicle of the tumultuous writing process behind Orson Welles' iconic film Citizen Kane.
Riz Ahmed's stunning tour-de-force perfomance as a heavy metal drummer who suddenly goes deaf is the crown jewel of Darius Marders' Sound of Metal
Our Uncle Frank review: Thanks to a trio of excellent performances is a sweet tale of queer love and loss in 1970s deep south.
Despite its attempts at crafting lovable characters and catchy tunes, it would take a miracle to get us to go anywhere near Christmas on the Square again.