Avengers: Endgame doesn't always succeed where its women are concerned, and definitely reminds us of a darker time where men ruled the roost.
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The final installment of the Avengers series, Endgame wraps up storylines and says goodbye to friends in a feature sure to tug at your heart.
Disney's latest CGI/live-action remake fails to inspire any whimsy or wonderment with a trite story they've done to death.
Jordan Peele's sophomore effort is a highly ambitious blend of horror and social comedy that proves he's a master of the unpredictable.
The stars of the SXSW comedy Go Back to China sit down to discuss the wave of Asian-American films and how theirs was an eye-opening experience.
Captain Marvel isn't spectacular in its entirety, but the assembled cast creates an atmosphere that's positively extraordinary and transcends its flaws.
The sequel to the popular Happy Death Day keeps leading lady Jessica Rothe in the driver's seat for a whole new (and divisive) adventure.
Ariel herself, Jodi Benson, sits down to talk about the beloved mermaid's 30th anniversary, presenting characters in a unique way, and more.
Rebel Wilson's latest attempt to spoof the rom-com ends up being a fond remembrance of a genre that's never gotten proper respect.
Serenity takes some of the weirdest twists and turns of a movie in recent memory, and the trainwreck is hard to look away from.
The Upside continues to perpetuate dangerous and offensive stereotypes regarding disability when it isn't following staid buddy comedy tropes
Aquaman is James Wan at his kookiest. At times so gaudy it hurts, this is bound to become a new camp classic for anyone missing the '80s.
Emily Blunt sails as Mary Poppins in this long-awaited sequel, holding up the cumbersome follow-up that doesn't know when to quit
Mary Queen of Scots marks an impressive debut from director Josie Rourke telling a story that many have heard referenced but not acted out.
Yorgos Lanthimos' latest puts Emma Stone and Rachel Weisz in a historical comedy with a barbarous tongue you won't be able to get over.
Ralph Breaks the Internet is a sequel that transcends its original with a unique story about friendship and moving on that many will enjoy.
Creed II lacks the panache of the original installment but has enough emotion and inspiration to find itself a perfect fit for the Rocky franchise
Destroyer gives us another excellent performance by Nicole Kidman, but the script's silly, retro pastiche of cop films leaves us wanting.
Stephanie Wang-Breal's Blowin' Up is a harsh examination of how the courts treat sex workers and the brave women trying to help them.
Under the Silver Lake is a terribly rendered neo-noir that should stay buried at the bottom of the lake it was dredged up from.