Despite beautiful set design and a theatrical style, Murder on the Orient Express has trouble lifting itself off the page.
MORE KRISTEN LOPEZ - Page 6 of 8
Colin Farrell and Nicole Kidman dominate in the weirdly mind-bending and utterly twisted drama The Killing of a Sacred Deer.
Thor: Ragnarok will please longtime Marvel fans with its comedy and action, as well as ensnare those who haven't fallen under the studio's spell.
George Clooney's new satire is a brightly colored blend of noir and political satire that never fully develops into anything worthwhile.
Jake Gyllenhaal and Tatiana Maslany do wonderful work in this disabled drama that tries to do something new despite conventions
The new adaptation of Stephen King's novel about a killer clown presents terror in all its forms, leaving chills long after the credits.
Director David Lowery's A Ghost Story blends the romantic with the existential for this cerebral drama that takes a dense look at life after death
Director Christopher Nolan produces a mature and anxious look at the battle of Dunkirk that's glorious, if too lean for its own good
Director Edgar Wright keeps the laughs coming while paying tribute to action movies with the rollicking heist film Baby Driver
The third, and supposed final, installment of the Cars series provides character and fun despite an uncomfortable gender message
The bachelorette comedy draws from The Hangover but makes for an unfunny farce that assumes a simple gender swap equals laughs.
The first in a planned "Dark Universe" of Universal monster movies, The Mummy dryly sputters out of the gate with a non-existent story
The fifth film in the popular Pirates franchise is a lifeless and unmotivated spectacle, tired and stale as bread at sea.
When Ridley Scott allows the blood and gore to flow Alien:Covenant succeeds. It's when it tries to honor Prometheus that problems arise.
Terry George and Angela Sarafyan sit down for an exclusive interview about working on the sweeping romantic epic, The Promise.
Director Ben Wheatley's motley crew of fine performers let loose with a wild, rollicking actioner that could benefit from a little something more.
The first major representation of the Armenian genocide boasts solid acting but falls short of the mark by a hokey, old-fashioned romance
One of the most beautifully composed movies of the year, director James Gray's tale of obsession and glory sticks with you.
The Lost City of Z director talks about filming in the jungle, the persona of his actors, and connecting with classic films.
The final day of the TCM Classic Film Festival, or How I Learned to Stop Worrying and Learn to Love Edgar Wright, came and here is my review!