This year's AFI Fest was a whirlwind of amazing features, but did behind-the-scenes issue keep it from really connecting with others?
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Director Nijla Mumin sits down with Culturess to talk about adolescence, Muslims on-screen, and crafting the feature film Jinn.
Suspiria is a wild phantasmagoria that gets into your bones and requires multiple viewings to even begin to understand its dark heart.
Bohemian Rhapsody contains an engaging performance from Rami Malek, but does little more than imitate Queen without explaining why the band rocked.
Bad Times at the El Royale is a twisted gem filled with mystery and a massively talented ensemble cast ready to let loose and go wild.
Lady Gaga and Bradley Cooper lend their starlight (and their voices) to a particular, if not wholly unique, take on A Star is Born.
The Hate U Give shines thanks to leading lady Amandla Stenberg and a thought-provoking story that breaks down sensitive topics.
Dan Fogelman translates his popular This is Us series to the screen with half-baked characters meant to wring every tear you have by force.
Blake Lively and Anna Kendrick thrill in this soapy, candy-coated mystery-thriller that will leave you saying "Gone Girl, who?"
Shane Black's take on the 1987 creature feature has a stellar cast wasted by a trite story, bad CGI and forced attempts at humor.
The adaptation of Kevin Kwan's best-selling novel is a bright, flashy tale of Asian heritage wrapped up in beautiful excess
Dietland's Tamara Tunie sits down with Culturess to discuss the show's finale, its messages of body acceptance, and her upcoming work.
Kate McKinnon steals the show in this fun send-up of the spy genre couched within a peppy comedy about the things we do for our friends
Mission: Impossible – Fallout is everything you've come to expect from this series to create the most impossible mission ever.
Eighth Grade will remind you of the highs and lows of middle school through the eyes of dynamic new discovery, Elsie Fisher
Mamma Mia! Here We Go Again truly begs the question if we should return to Kalokairi and the tunes of ABBA.
Skyscraper, the latest from action star Dwayne Johnson hearkens back to films like Die Hard and The Towering Inferno, pleasing genre audiences.
The directorial debut of Boots Riley is an in-your-face, loud and shocking feature that explores the surrealistic America of our nightmares.
Ant-Man and the Wasp returns to the fun and whimsy of past Marvel features, and while its impact is low as a whole, it serves its purpose.
A recent study by USC revealed that film criticism remains white and male, but in the push for diversity are we still leaving some groups out?